Well, it’s a Groundhog day episode… again. Well, to be fair, Doctor Who on TV hasn’t really done them but so many other shows I’ve watched or even Who on Audio has used the concept in recent years that it’s a bit old hat to me now. That being said, is the episode good regardless? It’s actually perfectly fine, though not without a few niggling bits. Let’s take a look!
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Another random period of time, another Doctor Who blu-ray boxset to review a story from! Yes Season 17 has been released just in time for Christmas and once again I went with the story I haven’t watched in the longest and this time its sadly because it’s not very good… like at all really. Still, I’ll review all Who TV stories eventually so I may as well get it done now! And if that isn’t a glowing reason to click to read more, I don’t know what is…
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After five episodes of build up does Chris Chibnall stick the landing?! … *sigh*, no, of course he doesn’t. I thought there were too many spinning plates for all of them to get a satisfying resolution but I didn’t expect practically NONE of them to get any real sense of resolution at all. As the end credits rolled I just wondered why I’d bothered getting invested in anything the past month and a half, and that’s not a great way to leave your audience! Let’s take a closer look then…
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The fifth part of the Flux storyline feels less like part five and more like part one of a two-part finale as while the other Flux episodes have left things on a cliffhangers they have otherwise felt more standalone than this episode did. That’s not a bad thing but it does remind me why I normally cover two-parters in one review rather than two! Still, lets do our best to look at “Survivors of the Flux” without any knowledge of how these many plot threads will come together…
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Flux reaches its fourth chapter and pretty much takes a side-step to tell a new Weeping Angels story, though admittedly does tie it into the overarching narrative right at the end for a cracking cliffhanger. The story by itself though was a pretty entertaining use of the only real “iconic” new villains since the 2005 series return. So let’s take a closer look then!
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I don’t know, you wait around for an animated reconstruction of a mostly missing Doctor Who serial and two come along… roughly within a month of each other! Although to be fair to Galaxy 4 it’s no Evil of the Daleks, and not just because it starts William Hartnell’s First Doctor instead of the Second. Yes, this is the first animated Who story that I really didn’t enjoy watching the recon/single episode the first time round and while all four episodes flowing together via animation was a far more enjoyable experience it didn’t help what is a pretty poor story… Let’s take a look!
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The Flux storyline barrels on then and with this latest episode, “Once, Upon Time” we get more Fugitive Doctor and more pre-Hartnell Doctor timeline stuff to go along with the current crisis. Is it interesting? Is the rest of the episode beyond that good? Only one way to find out!
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War of the Sontarans is 90% a really good stand-alone Sontaran story and 10% a continuation of the Flux story arc, and it works really well! It’s nice seeing the titular potato-headed foes get a classic series inspired makeover and feel like a threat again (while still retaining the absurd humour aspect as well) and while it’s not exactly a flawless episode it was very entertaining! Let’s take a look…
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I was of two minds about how to cover Doctor Who’s thirteenth series (since the revival) as it’s being billed as one six-part story titled “Flux”. As we got nearer the date though I thought to myself, if there is ever a series to cover each episode on this blog it’s Doctor Who, and given each episode has its own subtitle all the better. So here we are! Chapter 1 of “Flux”, subtitled “The Halloween Apocalypse”. Was it any good? Let’s take a look…
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It’s that time again! Another mostly missing serial has been given the full animation treatment and this time it’s the seven part Dalek epic “The Evil of the Daleks”, a story that at the time was meant to write the titular aliens out of the show for good. Taking place in then-modern England, Victorian England and the planet Skaro itself it does a lot to justify its runtime, but does it do enough, or does it suffer from obvious padding? Let’s find out!
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Hogan Reviews 