Doctor Who’s latest season continues and manages to deliver a fun episode at last, though one that wasn’t without its usual issue of being subtle as a brick about an important message, so we’re not golden here or anything. Still, some big continuity things / callbacks and The Fifteenth Doctor actually showing a range of emotions other than happy and crying lifts the episode up quite a bit! So let’s take a look…
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“The Story and The Engine” is another episode of this Doctor Who series that tells a good story, is well acted and has some positive messages at its heart but once again I find myself longing for something a bit more… Doctor Who-y. I’m happy episodes like this exist but I would prefer not to have so many of them in a row is what I’m saying, throw in a few base under siege / generic alien invasion stories here and there to break things up maybe… Well, anyway, let’s take a look!
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Doctor Who’s latest series hits a bit of a roadblock with “Lucky Day”. With only eight episodes this year taking an entire episode and using it to impart a good message but really badly and with The Doctor barely featuring in it is a choice, that’s for sure. Anyone looking for fun escapism in their Doctor Who will be sorely disappointed, I know I was, so let’s take a look so I can start to forget about it.
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It’s time to stop being quite so weird and do something a bit more traditional now as Doctor Who’s latest series gives us a good old fashioned claustrophobic space horror with a fun, if not a little visually silly, twist. It’s also a sequel to a popular original Russell T. Davies era story, but really you don’t have to be familiar with that one to watch this, it’s actually pretty damn different, but different in a good or bad way? Let’s take a look!
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The second episode of this series of Doctor Who gets weird, much like the second episode in the previous series, which ends up not being a coincidence. The big thing in the advertisements going into the episode was the whole “cartoon come to life” and that was handled brilliantly. Sadly they also stepped into the fourth wall breaking, “what if the Doctor came into our world where he’s a TV character!” trope that, as I’ve said a few times on this site, I HATE. Oh well… let’s see how these two aspects balance out, shall we?
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Now I thought Underwater Menace and Galaxy 4 were obscure lost stories to animate, “The Savages” has now taken the lead on that front as while it is a sci-fi story rather than a historical and does involve the (rather crap) exit of long-time companion Steven it’s also on the dull side, especially when watching the recon made from a bunch of stills and a soundtrack. Does the animation breathe new life into the otherwise sleepy story? Yes, having moving characters and false-camera work does hold your attention much more easily. Does it mean the story is good now? Um… well…
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Doctor Who has returned to our TV screens for its latest season, Fifteenth Doctor in tow. Happily “The Robot Revolution” is much better than the previous series opener, but given that was “Space Babies” that’s not saying much, instead I will say that as a companion introduction story it’s perfect, as a story overall? Not so much. Some ropey designs and some on-the-nose political and social commentary that I would’ve preferred to have been more subtle (though I get this is aimed at all ages…) knocks it down a peg or two. Still fun though, so let’s take a deeper look!
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One of my all-time favourite seasons of the show has found its way to Blu-Ray so it’s time to checkout a story from the set, and once again I’ve gone with the story its been the longest since I’ve seen it and with a season of four stories all of which I’ve watched loads that was hard to figure out. Still, I’m pretty sure Ambassadors of Death is it, and it’s my least favourite of the season. Still, a least favourite in a favourite season is still good, right…?
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While it’s nice to once again watch a new Doctor Who Christmas Special on actual Christmas, I will have to say that “Joy to the World” was a mixed bag leaning towards boring, at least in my opinion (which after all is what a review is, so I don’t know why I typed that…) It has some good ideas and some fun sequences but it was also capped off by the most Steven Moffat-y ending you could imagine, which at this point is somewhat nostalgic but still… Ah, enough waffling, let’s take a look!
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Another Doctor Who blu-ray set dropped, so it’s time for another review! Season 25-wise the story that I haven’t watched in the longest time was The Happiness Patrol, a weird bit of political commentary that’s caught between the super-child-friendly Season 24 mood and the more-serious (for Doctor Who) storytelling of Season 26. It… doesn’t entirely work, but there are some really good scenes in it though, especially the ending, so let’s take a look!
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Hogan Reviews 